Movement: A Window on the World
by Geraldine Dimondstein — 1970
Creative rhythmic movement, as Dr. Dimondstein sees it, may be conceived to be an art form with particular relevance for young children. She believes that children ought to be enabled to engage in movement experiences of the kind which permit them to conceptualize space, time, and force in relation to their own bodies. The capacity to conceptualize in this way may lead, she says, to imaginative control of space-time-force elements and, in consequence, the imposition of order upon the environment—much like the virtual form achieved by the artist in non-discursive communication.
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